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REMINISCENCE REELS
The AGM in May saw the launch of the Branch publication - ‘Reminiscence Reels’. This was initiated by a request to Branches from the Society’s Archivist to record members’ reminiscences of the early years. Copies can be obtained price £3 plus 75p postage from Chris Hiller.
Since its publication the following letters have been received:-
FROM ANDREW HALL Having joined the Branch in 1956 at the instigation of my friend and colleague Chris Blair I was delighted that John Cass persuaded me to buy the Society’s recent publication Reminiscence Reels and which I have read with great interest. Many of the names, events, places etc. evoked very happy memories of my early years in Scottish Country Dancing and where, like others, I met my wife to be, before moving from the North East. I recall the wonderful Highland Balls at the Dental School with Tim Wright’s New Cavendish Orchestra with its massed ranks of fiddlers – the extreme weather at Otterburn Weekends and the riotous parties at the Carlisle and Dumfries Festivals. From the 1963 Trip to Bavaria I particularly remembered the official reception at Munich Town Hall where, in deference to our hosts, we felt obliged to east the anaemic white sausages on offer. On one occasion, in the early years of Tyne Tees TV Miss Milligan insisted on sitting in the studio to watch us demonstrate, I think it was None so Pretty, which was certainly an ordeal for me and others. All of the contributors to Reminiscence Reels are to be congratulated on their frankness and wonderful recall of events, as is Irene Waters on her professionalism in weaving together so seamlessly the disparate strands into a coherent whole. This publication is I believe a very interesting reflection of the Branch and its varied activities over a long period and is highly recommended. Andrew Hall
FROM MARION PEUTHERER For someone who has been Scottish country dancing in Newcastle for ‘only’ 18 years, Irene Waters’ Reminiscence Reels is a wonderful perspective of the early years of the Branch. From stories of dancers and dances, to musicians and events, this booklet captures the true spirit of SCD: pride in learning, practising and preserving the national dance and music of Scotland, fostering great friendships and, above all, having lots of fun. The Branch clearly owes its success today to a dedicated group of dancers and musicians (many who have been involved for decades) who give their time and expertise to ensure the opportunity to dance continues to exist for dancers of all ages in the Newcastle upon Tyne area. Thank you from the more recent members! Marion Pertherer
MARILYN HEALY, Headquarters Archivist, has written direct to Irene and I quote from her letter:-
“I know how time consuming these projects are and that they need people with the interest, time and skills to see them through but I believe it has been a very worthwhile project. Rather than review the Newcastle Branch booklet in the CD and Book review page of Scottish Country Dancer it would be better if I feature it as one of the items in my regular ‘piece’ to perhaps remind/encourage other branches to do something similar, pointing out the different approaches that can be made. I hope the members of Newcastle Branch appreciate the time and effort you have put into this project and that they will also recognise the part the Branch has played in the Society’s post war development.”
FROM JOHN DOUGLAS I have read “Reminiscence Reels” with great interest outlining, as it does so admirably, the history of “my” Branch from the personal memories of so many people. It has been an enormous job for Irene Waters to interview, record, edit and produce such an entertaining account, from the ramblings of so many of us with memories going back to the 1950s, and the Branch should be greatly indebted to her for her patience and devotion to the cause. One small error is apparently my fault. On page 52 the reference to the LP for Book 37 should of course be for Book 27. Book 27’s record was the first LP produced by Headquarters and Book 37 was not published until many years after Chris Blair’s untimely death in 1988.
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